Veronika Reutz Drobnić is a composer and a published researcher of new music, renowned for her innovative approaches to non-traditional and visual scores and instrumental composition utilizing pre-existing, often folk-based materials. Her research explores the neurocognitive and perceptual processes involved in performing graphic and animated scores, and she develops interdisciplinary methodologies combining music composition, cognitive neuroscience, and visual arts. Her music has been performed on four continents, won numerous competitions and was TV and radio portraited in Germany, Croatia, and Japan.She studied at the Music Academy in Zagreb for a year, after which she completed her bachelor's degree at HDMK Stuttgart under the guidance of mentors such as Luxa Schüttler, Jennifer Walshe, and Joanna Bailie. Afterward, she pursued her master's degree at HfM Karlsruhe, studying with Markus Hechtle and Wolfgang Rihm. Veronika has also expanded her knowledge and expertise through a study semester in 2022 at the Kunitachi College of Music in Japan with Motoharu Kawashima. She has also attended international masterclasses in composition every year.Veronika is a freelance composer and a PhD candidate at the HfM Karlsruhe and ZHdK Zürich, currently on a research Erasmus semester at KMH Stockholm. Throughout her career, Veronika's compositions got international recognition and have been performed at prestigious festivals worldwide by ensembles such as SWR symphony orchestra, Badische Staatskapelle, orchestra of the national theatre Zagreb, Pony Says, Synchronos ensemble, Aslan ensemble, PART Ensemble, Ensemble Identität, Aslan Ensemble, Kaori Tanaka, IRK Ensemble, Quartet Revoiced, Cantus Juvenum Karlsruhe, Tempus Konnex Ensemble, Chatori Shimizu, Salastina composer’s collective and many others.Her unique artistic vision has earned her numerous scholarships and grants, including the esteemed BW Stipendium grant, ZONTA stipend, GdF grant, PROMOS grant and the Deutschlandsstipendium. Veronika has been the recipient of several prestigious prizes and won many competitions, including the Suntory Hall composition competition prize Japan, Oak bay competition Prize Canada, Piazza del Mondo prize Italy, Ensemble Identität composition prize Korea, SEED composition prize Japan/USA, Salastina Composer Collective competition USA, Female Affairs Residency India/Germany, Cantus ensemble young composer prize 2026, S/UMAS composition competition, SWR Orchestra composition competition, and the mandolin orchestra prize of The Croatian Cultural Association.Her ballet 'Black Puzzle ~ Still, I Rise' is in the regular repertoire of the Croatian National Theatre in Zagreb. Her PhD work is currently supported by the Cusanuswerk stipend for the best PhD projects in Germany.Newest paper on neurocognitive aspects of graphic notation: ResearchGate

Next Concert dates
13.03.2026
'How my Blood Falls'
for soprano and piano
Show Out Boston!
USA
31.03.2026
'NeoResonance'
for tambura and piano
Rijeka, Croatia
18.05.2026
'Three Thoughts on Folk Music'
for the Cantus ensemble
Dvorana Vatroslav Lisinski
Zagreb, Croatia
18.6.2026
'Operation Marimba'
for Marimba solo
Zürich, Switzerland
19.6.2026
'Operation Marimba'
for Marimba solo
Bern, Switzerland
21.06.2026
'Still Point of a Turning World'
for Jugend Gitarrenorchesters BW
Lohr am Main, Germany
03.07.2026
'Operation Marimba'
for Marimba solo
Kirchlindach, Switzerland
03.07.2026
'Piercing Cacophony for the Weary Traveler'
for Piccolo solo
Freiburg, Germany
22.07.2026
'Zagorske Igre'
for accordion, clarinet, trojnica and sluškinja (Croatian traditional instruments)
Ludbreg, Croatia
26.07.2026
in progress
for a trumpet ensemble
Wolfgang Rihm Forum, Karlsruhe, Germany
08.2026
'Threads, Patterns, Contrasts'
for violin and guitar
Croatia
11.08.2026
'Igre Mora i Osora'
for the Berliner Nonett
Osor Music Evenings
Osor, Croatia
20.08.2026
'Zagorske Igre'
for accordion, clarinet, trojnica and sluškinja (Croatian traditional instruments)
Drniš, Croatia
12.09.2026
'Zagorske Igre'
for accordion, clarinet, trojnica and sluškinja (Croatian traditional instruments)
Medvedgrad, Croatia
13.09.2026
'Still Point of a Turning World'
for Jugend Gitarrenorchesters BW
Speyer, Germany
09.2026
in progress
for flute, viola and guitar
Basel
13.10.2026
'6 Thoughts on Folk Music'
for a wind ensemble
Orgelfabrik, Karlsruhe, Germany
28.10.2026
'Zagorske Igre'
for accordion, clarinet, trojnica and sluškinja (Croatian traditional instruments)
Warsaw, Poland
04.11.2026
'Zagorske Igre'
for accordion, clarinet, trojnica and sluškinja (Croatian traditional instruments)
Ludbreg, Croatia
23.11.2026
in progress
for Cantus ensemnle
Zagreb, Croatia
11.2026
'AUFPRALL'
for the NAE collective
Zagreb
Croatia
12.12.2026
'Quartet for the Beginning of Times'
for ensemble and Eva Mach
Zagreb, Croatia
2026
'A day in a diary of a fly'
for Cantus Juvenum choir
Karlsruhe, Germany
2026
'Zagorske Igre'
for Mandolinski orkestar HGGD Sloga (Mandolin Orchestra)
Croatia
2026
in progress
for tamburica quartet
Zagreb, Croatia


Videos

I Walk The Past Another Way—Graphic score section

A Duet of Intelligences

Variations On Three Personal Themes

Fluidity

Silver Bells

Contact

veronika.reutz(at)gmail.com