Veronika Reutz Drobnić is a composer and researcher of new music, renowned for her innovative approaches to non-traditional and visual scores, instrumental composition utilizing pre-existing, often folk-based materials, and captivating performances that merge improvisation and performative elements. Her research explores the neurocognitive and perceptual processes involved in performing graphic and animated scores, examining how visual notation affects musicians’ stress, embodiment, and creativity. She develops interdisciplinary methodologies combining music composition, cognitive neuroscience, and visual arts, with a focus on designing novel interactive, animated, and 3D scoring systems that challenge conventional composer–performer dynamics and open new pathways for embodied musical interpretation.She studied at the Music Academy in Zagreb for a year, after which she completed her bachelor's degree at HDMK Stuttgart under the guidance of mentors such as Martin Schüttler, Jennifer Walshe, and Joanna Bailie. Continuing her pursuit of excellence, she pursued her master's degree at HfM Karlsruhe, studying with Markus Hechtle and Wolfgang Rihm. Additionally, Veronika has also expanded her knowledge and expertise through study at the Kunitachi College of Music with Motoharu Kawashima.Veronika is a freelance composer and a PhD candidate at the HfM Karlsruhe and ZHdK Zürich, currently on a research Erasmus semester at KMH Stockholm. Throughout her career, Veronika's compositions have garnered international recognition and have been performed at prestigious festivals worldwide. Some notable appearances include the IMPULS festival in Germany, Suntory Hall Summer in Japan, HNK Zagreb and Music Biennale Zagreb in Croatia, Oak Bay Festival in Canada, Mixtur Festival Barcelona and Agorà Forum & Sounds in Italy, among many others.Her unique artistic vision has earned her numerous scholarships and grants, including the esteemed BW Stipendium grant, ZONTA stipend for best women in music, GdF grant, PROMOS grant and the Deutschlandsstipendium. Veronika has been the recipient of several prestigious prizes and residencies, including the Suntory Hall composition competition prize Japan, the Croatian Cultural Association composition prize, Oak bay competition Prize Canada, Piazza del Mondo prize Italy, Ensemble Identität composition prize in Korea, SEED Project composition prize Japan/USA, Salastina Composer Collective competition prize and residency, Female Affairs Residency, S/UMAS composition competition, Cantus ensemble young composer prize 2026 and SWR Orchestra composition competition prize.Her PhD work is currently supported by the Cusanuswerk stipend for the best PhD projects in Germany.

Next Concert dates31.03.2026
'NeoResonance'
for tambura and piano
Rijeka
16.04.2026
'Aufprall'
for the NAE collective
Zagreb
Croatia
18.05.2026
'Three Thoughts on Folk Music'
for the Cantus ensemble
Dvorana Vatroslav Lisinski
Zagreb, Croatia
10. - 20.06.2026
'Operation Marimba'
for Marimba solo
various locations, Switzerland
21.06.2026
Still Point of a Turning World
for Jugend Gitarrenorchesters BW
Germany
26.07.2026
in progress
for a trumpet ensemble
Karlsruhe, Germany
11.08.2026
in progress
for flute, oboe, horn, bassoon and piano
Osor Music Evenings
Osor, Croatia
08.2026
in progress
for violin and guitar
Croatia
13.09.2026
Still Point of a Turning World
for Jugend Gitarrenorchesters BW
Speyer, Germany
09.2026
in progress
for flute, viola and guitar
Basel
13.10.2026
'6 Thoughts on Folk Music'
for a wind ensemble
Orgelfabrik, Karlsruhe, Germany
23.11.2026
in progress
for Cantus ensemnle
Zagreb, Croatia
11.2026
in progress
for the NAE collective
Zagreb
Croatia
2026
'A day in a diary of a fly'
for Cantus Juvenum choir
Karlsruhe, Germany
2026
Zagorske Igre
for LandesZupfOrchester NRW
Germany
2026
in progress
for tamburica quartet
Zagreb, Croatia


Videos

Waves for Shō

15 Miniatures for Brain Stimulation

Three Thoughts on Folk Music

No.2

"Ought it not to be possible to live differently?" [w/ score]

Contact

veronika.reutz(at)gmail.com